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• Below the egg motif and dentils of the cornice, the frieze of the Temple of Vespasian shows the implements of sacrifice (helmet, knife, axe, plate jug) and ox skulls or bucrania. ...

• Frieze magazine cover .
• Frieze - www. frieze. ...

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• The frieze.
• West frieze .
• North frieze .
• East frieze .
• South frieze .

• Burrows Studio: Chauncy Frieze.
• Chauncy Frieze.
• "Chauncy Frieze" Named for an original owner of the house in Marshall, Michigan, where the paper was found, this gentle meander design looks very good with other figures beneath (Persis, Summer Street, Giotto or Ginko Leaf), and it is handsome above a plain painted wall. ...

• Sculpture Catalog Entry: Parthenon Frieze.
• Title: Parthenon, Frieze.
• Subject: Parthenon frieze overview.
• The traditional interpretation of the Parthenon frieze is that it depicts, in some sense, a Panathenaic procession, part of the festival of the same name celebrated each year on the occasion of Athena's birthday. ... Eventually certain rituals such as the presentation of the peplos were reserved for the Greater Panathenaia (see Shear), leading most scholars to assume the procession depicted on the frieze is associated with this festival. The frieze forms a single, continuous band around the exterior of the inner building (i. ...
• A large proportion of the frieze, i. ...
• Finally, positioned over the center of the front porch of the cella, is the small group whose activity is the focus of the frieze. ...
• It is often noted that the Parthenon frieze breaks ground in depicting a historical rather than a mythological event. Yet the frieze includes divinities and probably heroes, and though accounts of the procession are incomplete, it is certain that this representation does not seek to realistically depict the event. The single largest element of the procession consisted of the citizen body on foot, yet this aspect is entirely absent on the Parthenon frieze. ... In an attempt to explain this, Boardman counts 192 participating males exclusive of the charioteers and sees a heroization of the 192 killed at Marathon celebrated in the frieze. ... Boardman's hypothesis seeks to explain the inconsistencies between the historical sources and the frieze while continuing to accept the basic premise that the frieze depicts the Panathenaic procession in some sense. ...
• If it is difficult to relate the frieze to a specific time frame, it may be possible to relate it to a specific place. Robertson, noting the emphasis on preparation rather than movement and siting the apobates contests near the Eleusinion, interprets those activities on the frieze as taking place within the Agora. ...
• Perhaps the greatest difficulty of interpretation, however, involves the east frieze. ... As already noted, the interpretation of the peplos scene, like many aspects of the frieze, is still open to question and highly controversial. Two recent proposals reject the premise that the frieze represents the Panathenaic procession. ... Pollitt suggests the frieze celebrates aspects of contemporary Athenian society of special concern to Perikles, as expressed in his funeral oration.

• Frieze Pattern.
• In general, a frieze consists of repeated copies of a single motif. ...
• Conway and Guy (1996) define a frieze pattern as an arrangement of numbers at the intersection of two sets of perpendicular diagonals such that (for an additive frieze pattern) or (for a multiplicative frieze pattern) in each diamond. ...
• Frieze Group, Tessellation, Tiling .
• "Triangulated Polygons and Frieze Patterns. ...
• "Frieze Pattern. ...

• Della Robbia Frieze.
• Before the library expansion in 1989, however, the room's focal point was a stage (now removed) on the north wall, capped by a frieze, which is still there.
• No ordinary piece of sculpture, this frieze is a reproduction of part of a work by the Italian Renaissance sculptor Luca Della Robbia (1400- 1482). ...
• The frieze you see here divides naturally into 7 panels, 5 in the middle of approximately equal size, and a narrow one at each end. ...

• The Parthenon Frieze.
• Connelly's re-interpretation of the Parthenon frieze appears in the American Journal of Archaeology, AJA 100 1996 53-80. ...
• The traditional interpretation, identifying the frieze as the Panathenaic procession, goes back to the eighteenth century travelers Stuart & Revett. ...
• C's solution begins with the "peplos" panel on the east frieze. ...
• She says the bearded man's tunic is ungirt like that of priests about to sacrifice; but in her parallels, the men are holding knives (and the bearded man on the Parthenon frieze is not). ...
• The usage of Athena's peplos in some ways suggests a funerary shroud; so the real peplos or peploi alluded to the one depicted on the Parthenon frieze, which however was not a representation of it but rather of the Erechtheid girl's bridal/funereal wrap. ...
• But are there parallels from architectural sculpture of the Classical period for this sort of temporal disjunction? Does it not seem more likely that whatever is depicted on the frieze, it all takes place at one time? Why not just suggest that the procession is somehow part of the same ritual event in which the sacrifice takes place? Second, is it reasonable to have a royal family so prominently celebrated by democratic Periklean Athens? C does not deal with this at length; she says that the Erechtheids in fact conform to "democratic" social ideology because they put the city's needs ahead of their own family (and she attributes this argument to R. ...

• Laser blend cleans Parthenon frieze.
• Parthenon frieze.
• Now, the two-wavelength method has been selected to restore the Pheidian frieze, which is regarded as one of the most precious and fragile parts of the ancient Acropolis in Athens.
• Two out of sixteen marble blocks of the West part of the frieze have been cleaned using the two-wavelength combination so far. ...
• After centuries of exposure to the elements, during which time it experienced a number of earthquakes, fires, an explosion and - more recently - the severe pollution of the modern city, the frieze was removed from the Parthenon in 1992.
• Since then, scientists have been working with the Committee for the Conservation of the Acropolis Monuments (ESMA) research team to select the best method to remove the black encrustations on the frieze surface.

• DOLPHIN FRIEZE.
• This is the famous dolphin frieze in the main room. ...

• North Frieze, Parthenon.
•     Frieze II.

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